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Roadmovie merkmale8/5/2023 ![]() This research aims to measure if Irish film audiences' opinion correlates with the critical and commercial success of contemporary Irish film, and also to explore if audiences feel issues traditionally associated with Irish film are being challenged by contemporary Irish film. It is concluded that the Plan (and other relevant policy documents) support a spatialized, commodified view of the audiovisual industries as primarily industrial in nature, paying scant attention to the consideration of such industries as cultural forces. It identifies the key proposals which affect the audiovisual industries. Building on Mosco’s work on political economy (Mosco, 2009) the concept of spatialization from Lefebvre (Lefebvre, 1991) is used to interrogate the production of and commodification of space through Specifically, this article interrogates the policy norms underpinning the Audiovisual Action Plan introduced by the Department of Culture, Heritage and the Gaeltacht in Ireland in 2018 as part of Culture 2025, the national cultural policy framework. Taking a political economy perspective allows for development of themes around the commodification of the nation-state through the provision of policies that actively encourage a certain type of audiovisual production. Using a thematic analysis approach from Braun and Clark (2005, 2019) a number of themes are developed from analysis of the relevant policy documents, broadly conceived around the increasing instrumentalism of culture. The analysis of the Plan in a wider policy context identifies key issues shaping audiovisual production in Ireland. ![]() The Audiovisual Action Plan (“the Plan”) sets out the Department’s approach to the audiovisual industries and is, it is contended, evidence of a marketization of culture consistent with a creative industries perspective. She won several awards for her literary translations from French.This article analyses the recent plan for the audiovisual industries introduced (after some delay) by the Irish Department of Culture, Heritage and the Gaeltacht. She was an associate editor at the French-language feminist magazine timult and works as a freelance translator and author. Lena Müller, born in Berlin in 1982, studied literature and cultural journalism in Hildesheim and adult education in Paris. Lena Müller‘s first novel is about love and freedom, obligations and longing – and about what is left over. Sando agrees to embark with Mimi on the search, hoping to escape his lovesickness on the way. ![]() Because we are not just the ones the others want us to be”, she said.Īnd now his sister Mili calls Sando because their mother has left their father – again. He has learned that from his mother, who decided twenty years ago to leave her social background and to pursue her own goals, to not always be there for others: “The possibility of disappearance is always there. But Sando has learned that you can’t hold onto love, you have to wait until it comes back. This young man with the unsettling smile who he met at a demo and who he cannot really get a hold of. More information is soon to be found here: ![]() Each year, there are ten countries involved in the project. A considerable number of the presented first novels has meanwhile been translated into various languages. From the start, a network for authors and publishers of future European literature has come into existence, and it is steadily growing. From Norway to Hungary, from Finland to Spain, participants have made their way to Schleswig-Holstein. The festival, which takes place at Literaturhaus Schleswig-Holstein in Kiel, is a combination of an expert conference on European first novels and a public reading by all participating authors. A translation sample in English and French for this occasion will follow by the end of March. Lena Müller‘s first novel Restlöcher, a poignant family-roadmovie-novel with a unique tone, will be presented at the European Festival of the First Novel at Kiel, from June 3rd to 6th, 2021 – a great occasion to present the novel to international publishers.
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